Hi & welcome to g m dot com
^ Background listening - a little light 'functional music' ^
This, my 'experimental A/V seminar' or performative lecture.
Greetings, welcome. A knot of work and play, business and pleasure, professional and personal. Foley and folly. Outer, inner. Reams, realms; worlds collide.
Recently worked on Witness: an online course, an unpacking of the improvised live-streamed performance series 'Witnessed in Translation' devised by Mary Pearson, facilitated by Ava Riby-Williams, co-designed with the performers and with creative use of technology by yours truly. Stay tuned here.
George M works in and around sidestream music, the arts, broadcasting and surrounding cultures, motivated by the ways these interact and intersect both online and off. As an artist he melds these into an emerging creative practice 🌊
Image credit: TCO Gill
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+ Broadcaster & Radio Host (Melodic Distraction & ex-BBC)
+ Creative Digital Technologist (livestreaming as an emergent art form) + Online/Hybrid Events Producer (turning in-person experiences into their internet equivalents) + Cross-Discipline Precariat (casual work as audio & video editor, technician, producer and administrator) + artist & x-musician (should be self-explanatory) → Freelancer ← (self-employed in any of the above) A couple of links for listening:
Artist Focus programmes on Suzanne Vega and Joni Mitchell for MDRadio, For working life enquiries please email Central Services
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~ Find a scroll's worth of what I've been up below ~
2022/23 • The Suicide Chronicles podcast for St Helens arts org Heart of Glass • Melodic Distraction's weekday breakfast show Mornings With • Part-presenting and co-producing BBC Merseyside's longstanding specialist music radio programme, the Popular Music Show • & Listening with the Bluecoat, a podcast expanding upon the Liverpool art centre's current exhibitions (at time of typing); Substack link here.
Stills from Anna Macdonald's Ways of doing things
2021/22 • Produced the digital online part of a pair of hybrid COP26 events at Metal Edge Hill.
• Worked with artist Anna Macdonald on Ways of doing things, made in response to the work of the Human Cell Atlas. This link explains the work.
• Video edits of How to be Afraid?'s February 2021 and May 2021 performances with Mary Pearson, mayfield brooks and Seke Chimutengwende.
• As Technical Producer (Online Production Team) @ Abandon Normal Devices, delivering the digital programme as AND re-emerged on-line and in person. AND Festival '21 highlights video here, festival trailer here, and full documentation on the AND Vimeo.
• Worked with artist Anna Macdonald on Ways of doing things, made in response to the work of the Human Cell Atlas. This link explains the work.
• Video edits of How to be Afraid?'s February 2021 and May 2021 performances with Mary Pearson, mayfield brooks and Seke Chimutengwende.
• As Technical Producer (Online Production Team) @ Abandon Normal Devices, delivering the digital programme as AND re-emerged on-line and in person. AND Festival '21 highlights video here, festival trailer here, and full documentation on the AND Vimeo.
Previous ⧞ continuous
• A live-streamed video mix of Lake Turner & Sam Wiehl's hybrid performance at Future Yard (available to view on Kompakt's channel). I vision-mixed this live streamed concert of Lake Turner and Sam Wiehl in June 2021, featuring 3D sculptures by Ana Drucker – taking place predominantly in Wiehl's vast, spectacularly-imagined virtual hyper~world, as well as in Wirral venue Future Yard. Deep space states await. Enjoy a recap above, or more from that night with Lo Five's live set here.
• A live-streamed video mix of Lake Turner & Sam Wiehl's hybrid performance at Future Yard (available to view on Kompakt's channel). I vision-mixed this live streamed concert of Lake Turner and Sam Wiehl in June 2021, featuring 3D sculptures by Ana Drucker – taking place predominantly in Wiehl's vast, spectacularly-imagined virtual hyper~world, as well as in Wirral venue Future Yard. Deep space states await. Enjoy a recap above, or more from that night with Lo Five's live set here.
• Recently worked as Digital Producer on this performance by mayfield brooks, Mary Pearson and Seke Chimutengwende for Independent Dance. The artists were in 3 different cities, and it was ID's first ever live-streamed event. I mixed the video sources live while feeding a selection of their images into a projector, which was in turn filmed and streamed live simultaneously.
• Every other Monday I host Melodic Distraction radio's Mornings With programme from 10am-12pm. It's a yarn, I used to broadcast from home, now I'm fortunate enough to use the MDR HQ in person – and as often as I can, with a guest.
• Facilitating this live-streamed concert-from-home was super fun. It features Raft of Trash, Marta Forsberg and myself performing at the Painted Oasis.
• Work-in-progress for Metal's Future Network Shorts series, originally broadcast on Instagram Live, this is ongoing: Psychedelic Capitalism v2.0
• The first incarnation of PsychCapital for Metal Culture. Live performance of Psychedelic Capitalism filmed at Kazimier Stockroom, November 2019
• I took part in this crucial conservation exercise and durational performance at Tate Liverpool in April 2019. Ten Years Alive On The Infinite Plain formed part of Open Culture's LightNight 2019 and Tate's Reshaping the Collectible.
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+ A smattering of bandcamp offerings for you. Solo works for guitar, then something a little more dense.
You made it to the end of george maund dot com! Thanks for reading this far. For more, please hit up one of the links at the top.
